“When can we be alone together?” She asked him, never loosening her grip. Were I a painter of subject pictures, I would exhaust all my skill in proportion and perspective and atmosphere upon the august seat of empire, I would present it gray and dignified and immense and respectable beyond any mere verbal description, and then, in vivid black and very small, I would put in those valiantly impertinent vans, squatting at the base of its altitudes and pouring out a swift, straggling rush of ominous little black objects, minute figures of determined women at war with the universe. “It means that I have had enough of this slavery,” she declared. “We do not want the men,” said Miss Miniver; “we do not want them, with their sneers and loud laughter. The little streaks upon the germinating area of an egg, the nervous movements of an impatient horse, the trick of a calculating boy, the senses of a fish, the fungus at the root of a garden flower, and the slime upon a sea-wet rock—ten thousand such things bear their witness and are illuminated. How can he help you?” She threw such a look upon him that even he, Sir John Ferringhall, carpetmerchant, hide-bound Englishman, slow-witted, pompous, deliberate, felt his heart beat to music. How she had coveted her mother’s beauty and sought to emulate it, if only to please her.
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