In the adjacent apartment Ann Veronica found a middle-aged woman with a tired face under the tired hat she wore, sitting at a desk opening letters while a dusky, untidy girl of eight-or nine-and-twenty hammered industriously at a typewriter. She was never able to trace the changes her attitude had undergone, from the time when she believed herself to be the pampered Queen of Fortune, the crown of a good man’s love (and secretly, but nobly, worshipping some one else), to the time when she realized she was in fact just a mannequin for her lover’s imagination, and that he cared no more for the realities of her being, for the things she felt and desired, for the passions and dreams that might move her, than a child cares for the sawdust in its doll. She often found herself absorbed by watching the tall grass undulate from the cave’s central doorway as solitary hunters prowled for buffalo and stag on the plain. " "He shuddered when he drank. The galleries adjoining it were crowded with spectators,—so was the roof of a large tavern, then the only house standing at the end of the Edgeware Road,—so were the trees,—the walls of Hyde Park,—a neighbouring barn, a shed,—in short, every available position. " "I'm sorry. “Grail!” said Ann Veronica, and then: “Oh, yes—of course! Anything but a holy one, I’m afraid. Eh? Banging against the old rollers—that'll put some life into us both. After Gwen!” “I sent a telegram. My trouble is with your sister. Wood!—no," replied the turnkey. "You came hither under my protection, and you shall depart freely,—nay, more, you shall have an hour's grace.
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