All through the love music of the second act, until the hunting horns of Mark break in upon the dream, Ann Veronica’s consciousness was flooded with the perception of a man close beside her, preparing some new thing to say to her, preparing, perhaps, to touch her, stretching hungry invisible tentacles about her. Ann Veronica could at the same time ask herself what this queer old gentleman could have meant by speaking to her, and know—know in general terms, at least—what that accosting signified. So, by way of gaining time, he resolved to question him further. “The nurse will fetch the doctor directly. He called a waiter. .
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